{"product_id":"low-kick-and-hard-bop","title":"Low Kick and Hard Bop","description":"\u003cp\u003e\u003cspan\u003eAvailable on vinyl for the first time EVER: \u003c\/span\u003e\u003cspan class=\"markn8xm15dzq\"\u003eSolex\u003c\/span\u003e\u003cspan\u003e and Matador Records celebrate 25 years of ‘Low Kick and Hard Bop’ this September. \u003c\/span\u003e\u003cspan class=\"markn8xm15dzq\"\u003eSolex\u003c\/span\u003e\u003cspan\u003e is the pseudonym of singer-songwriter and former Amsterdam record store owner Elisabeth Esselink, who came up with a deft blend of low-key techno and ‘found sounds.’ ‘\u003c\/span\u003e\u003cspan class=\"markn8xm15dzq\"\u003eSolex\u003c\/span\u003e\u003cspan\u003e Versus The Hitmeister’ (1998) was her debut album for Matador and was composed using snippets from crappy, unsellable CDs. In a change of tack, ‘Pick Up’ (1999) was constructed from dozens of recordings that Esselink had secretly made during the gigs of local bands in Amsterdam. It can be considered a variant of a live-album. This extraordinary technique culminates on ‘Low Kick And Hard Bop’ (2001), where she sourced material from old vinyl, television, the better-looking talk show hosts, films, bootlegs, radio, street noises, and animals. Throughout that time, \u003c\/span\u003e\u003cspan class=\"markn8xm15dzq\"\u003eSolex\u003c\/span\u003e\u003cspan\u003e kept great company, performing with my bloody valentine, Cibo Matto, Yo La Tengo, and The Notwist. She has remixed Grizzly Bear, Wire and St. Vincent, and has collaborated with Mike Watt.\u003c\/span\u003e\u003c\/p\u003e","brand":"Solex","offers":[{"title":"Low Kick and Hard Bop - LP","offer_id":45792507527237,"sku":"eyj1789782963387","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/7440\/7493\/files\/low-kick-and-hard-bop_1.jpg?v=1789782970","url":"https:\/\/dawnstrollclad.shop\/products\/low-kick-and-hard-bop","provider":"My Store","version":"1.0","type":"link"}